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Contents © 2020 Golan Levin and Collaborators
Golan Levin and Collaborators
Interviews and Dialogues
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- 09 2009. Interview for Dazed and Confused
- 09 2009. Interview by Louise Shannon
- 06 2009. Video interview by Lucrezia Cippitelli
- 06 2009. Video interviews for CMU Campaign
- 04 2009. Interview for Direct Digital, Modena
- 01 2008. Video Interview by M.B. Solano
- 03 2007. Interview for Afterimage
- 02 2007. Interview by Alexandra Nemerov
- 01 2007. Interview by Ulrike Reinhard
- 11 2006. Interview for Teknemedia
- 11 2006. Interview for Neural.IT
- 09 2006. Interview for La Repubblica
- 07 2006. Interview for Bios
- 07 2006. Tmema Interview for Pig Magazine
- 06 2006. Taiwan Museum of Art Survey
- 06 2006. Interview for Res Magazine
- 01 2006. Tmema Interview for Redazione Digicult
- 01 2006. Tmema, Realta' Ampliata e Gesti Interattivi
- 12 2005. Interview for Digimag
- 12 2005. Tmema Interview for Processing
- 11 2005. Interview for Sonic Acts XI
- 10 2005. Interview for Mobile Magazine
- 07 2005. Responses to Manovich's 5 Questions
- 03 2005. Interview for Contemporary Music Review
- 06 2004. Interview for XFUNS Magazine
- 06 2004.
[0.81 MB pdf]
Interview for XFUNS (Chinese)
- 06 2004. Interview for CIAC Magazine
- 06 2004. Entrevue pour CIAC Magazine
- 11 2003. Interview for Huddersfield Metro
- 09 2003. Dialogue with Paul D. Miller
- 09 2003. Dialogue about Messa di Voce
- 07 2003. Dialogue about Telesymphony
- 05 2003. Interview for CriticalArtWare
- 03 2003. Interview for MicheleThursz.com
- 12 2002. Interview for Digitall
- 08 2002. Dialogue about Axis
- 07 2002. Interview for Receiver Magazine
- 07 2002. Interview for Aculab Quarterly
- 06 2002. Interview for ZooWire
- 09 2001. Interview for DE:BUG (German)
- 09 2001. Interview for DE:BUG
- 05 2001. Interview for Artbyte
Interview by Mickey Noonan for Huddersfield Metro
Golan Levin, 28 November 2003
In collaboration with fellow software artist Zachary Lieberman and singers/composers Jaap Blonk and Joan La Barbara, Golan Levin has created Messa di Voce, a new concert in which the speech, shouts and song of two abstract vocalists are complemented by corresponding live graphics. The show is part of Ultrasound 2003, Huddersfield's international festival of experimental sound and electronic music.
Please explain Messa di Voce in layman's terms.
It means 'placing the voice'. It's a performance in which we are visualizing the speech and song of two singers with extended vocal techniques, in that they specialise in making unusual vocal sounds. The concept is they're singing, and, as they sing, it has been visualised behind them on a large screen.
Right. And how do you do that exactly?
We've written all the software that does the visualisation, which uses speech recognition technology. We know where the performers' heads are, so we can make the graphics appear to be emerging from them. We can change the colour or the shape or the texture of the graphics to correspond with the singing.
So were you a software developer before embarking on this?
No, I'm an artist.
Did you have to gen up on computer programming?
That's like asking a painter if they had to learn how to use paint. I think every artist has to do research into how to use their materials. The art here is made with software.
Sorry.
That's OK. We've had some problems getting press about the project because no one knows quite how to categorise it. Is it visual? Is it a music concert? We're well into the 21st century and we're ready for a new form of performance. Although, in a way, we've had it for 100 years and we've called it cinema - but this is live.