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Contents © 2008 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
Sort by : Author | Date | Name | Type
- Solo
- 07 2008. Double-Taker (Snout)
- 05 2008. Poster design for Maeda lecture
- 01 2008. Solo exhibition at bitforms gallery
- 12 2007. New Year Cards
- 11 2007. Opto-Isolator
- 11 2007. Eyecode
- 11 2007. Interstitial Fragment Processor
- 05 2007. Ghost Pole Propagator
- 09 2005. Scrapple (Installation)
- 01 2004. Civic Exchange Prototype
- 09 2002. Axis
- 03 2002. Stria
- 10 2001. Dendron
- 02 2001. The Role of Relative Velocity
- 01 2001. Obzok
- 08 2000. Segmentation and Symptom
- 03 2000. Audiovisual Environment Suite
- 01 2000. Yellowtail
- 09 1999. Banded Clock
- 02 1999. Floccular Portraits
- 01 1999. Floccus
- 12 1998. Stripe
- 09 1998. Meshy
- 04 1998. Directrix
- 01 1997. Blebs
- Tmema (Golan Levin & Zachary Lieberman)
- 11 2007. Reface [Portrait Sequencer]
- 08 2006. Footfalls
- 08 2004. Motion Traces [A1 Corridor]
- 05 2004. The Manual Input Workstation
- 05 2004. The Manual Input Sessions
- 02 2004. Interactive Bar Tables
- 12 2003. Messa di Voce (Installation)
- 09 2003. Messa di Voce (Performance)
- 07 2003. Amore Pacific Display
- 09 2002. Hidden Worlds of Noise and Voice
- 09 2002. Re:MARK
- Other Collaborations
- 10 2007. IEEE Infovis 2007 Art Exhibition
- 04 2006. Signal Operators
- 02 2006. The Dumpster
- 09 2005. Ursonography
- 09 2005. Scrapple (Performance)
- 03 2004. Finger Spies
- 05 2002. JJ (Empathic Network Visualization)
- 02 2002. The Secret Lives of Numbers
- 09 2001. Dialtones (A Telesymphony)
- 05 2001. Alphabet Synthesis Machine
- 03 2001. Interactive Logographs
- 09 2000. Scribble
- 07 2000. Introspection Machine
- 12 1999. Slamps
- 09 1999. Dakadaka
- 01 1998. Interval Projects
- 01 1997. Streamer
- 08 1996. Rouen Revisited
- 05 1994. Media Streams Icons
Hidden Worlds of Noise and Voice
2002 | Tmema (Golan Levin & Zachary Lieberman) with Ars Electronica Futurelab

Overview. The Hidden Worlds of Noise and Voice (2002: Golan Levin and Zachary Lieberman with the production of Ars Electronica Futurelab) is an interactive audiovisual installation whose central theme is the magical relationship of speech to the ethereal medium which conveys it. Participants in this exhibit are able to "see" each others' voices, made visible in the form of animated graphic figurations that appear to emerge from the participants' mouths. In the Hidden Worlds installation, users wear special see-through glasses, which register and superimpose 3D graphics into the real world; when one of the users speaks, colorful abstract forms appear to emerge from his or her mouth. The shapes and movements of these forms are tightly coupled to the unique qualities of the timbres and phonemes sung or spoken by the user, thus enabling a wide range of audiovisual play. The graphics constitute a consensual hallucination which is shared by all of the participants.
The Hidden Worlds of Noise and Voice is an interactive audiovisual installation, or, alternatively, an augmented-reality speech-visualization system. Its central theme is the magical relationship of speech to the ethereal medium which conveys it. Participants in Hidden Worlds are able to "see" each others' voices, which are made visible in the form of animated graphic figurations that appear to emerge from the participants' mouths while they speak. In the installation, visitors wear special see-through data glasses, which register and superimpose 3D graphics into the real world. When one of the users speaks or sings, colorful abstract forms appear to emerge from his or her mouth. The graphics representing these utterances assume a wide variety of shapes and behaviors that are tightly coupled to the unique qualities of the vocalist's volume, pitch and timbre.
Hidden Worlds permits up to six visitors to participate in the consensual hallucination, enabling a wide range of engaging audiovisual and conversational play. For those who are not equipped with the data-glasses, a projection at the center of the installation makes visible the "shadows" of the virtual spoken forms. Hidden Worlds was developed in the Summer of 2002, and was installed in a two-year exhibition at the Ars Electronica Museum of the Future in Linz, Austria.
Additional Resources
High-resolution photos of The Hidden Worlds of Noise and Voice are available in this Tmema photoset on Flickr.