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Contents © 2008 Golan Levin and Collaborators
Golan Levin and Collaborators
Bio
Press, Reviews and Compendia
Forthcoming
Campanelli, Vito and Danilo Capasso. Lev Manovich: Five Questions about Digital Culture. Sintesi Electronic Art Festival, Forthcoming.
Cook, Perry R. La Bella Voce e la Macchina (The Beautiful Voice and the Machine): A History of Technology and the Expressive Voice. Forthcoming.
Wilson, Stephen. Border Patrol: Artists Working at the Frontiers of Science and Technology. Thames and Hudson, Forthcoming.
Zénouda, Hervé. Son acté: vers une substance audiovisuelle manipulable par le geste. Editions L'harmattan, Forthcoming.
2008
Ansberry, Clare. "Pittsburgh Puts Robots to Work, And Some Can Even Be Eaten." The Wall Street Journal, p.A1. 8/27/2008.
Antonelli, Paola (Ed.). Design and the Elastic Mind. The Museum of Modern Art, New York, 3/2008. ISBN: 978-0870707322.
Dartnell, Lewis. "Digital Art". +PLUS Magazine, Issue 48. 9/2008.
Ludovico, Alessandro. "Double-Taker (Snout), surveillance meeting humor and randomness". Neural.it, 9/30/2008.
Maekawa, Takashi. Built with Processing. BNN Publishing (Japanese). ISBN: 978-4-86100-558-9.
Marchessault, Janine. Fluid Screens, Expanded Cinema. University of Toronto Press, 1/2008. ISBN: 978-0802092977.
Motlani, Aisha. "The Public Eye: Art Review". Express Milwaukee, 9/4/2008.
Schaffer, Amanda. "Viz Whiz: How artists are mining data sets to make you see the unseen". Slate, 8/20/2008.
Whitelaw, Mitchell. Art Against Information: Case Studies in Data Practice. FibreCulture #11, 3/2008. ISSN: 1449-1443.
Yeh, C.J. Digital Aesthetics. Artists Publishing, Taiwan, 5/2008. ISBN:978-9867034861.
2007
Adams, Charles J. "A day away: When you enter this museum, please turn your cell phone on." Reading Eagle Newspaper, 2/22/2007.
Arsenault, Chantel and Roberts, Mardee. "Ball State Museum of Art to Host Family Day for Popular Interactive Exhibition." Muncie Free Press, 2/19/2007.
"Art museum presents the installation version of Messa di Voce." ArtDaily.org, 2/19/2007.
Austin, Tricia and Richard Doust. New Media Design. Laurence King Publishing, 9/2007. ISBN: 978-1856694315.
Bialik, Carl. "Coming Soon: The Number 24." The Wall Street Journal, 2/23/2007.
Dauerer, Verena. "Infosthetics: the beauty of data visualization." PingMag, 3/23/2007.
Dawson, Jessica. "Me, My Cell and I: Can You Hear Me Now?" The Washington Post, 3/17/2007.
Flick, Sherrie. "National phenomenon 'Dorkbots' forms in Pittsburgh." Pop City Media News, 2/7/2007.
Fontanelli, Renata. "Multimedia: Suoni e luci del terzo millenio." La Repubblica, 1/8/2007, p.19.
Greenberg, Ira. Processing: Creative Coding and Computational Art, p.19. Friends of ED, 5/2007. ISBN: 978-1590596173.
Heatwole, Joanna. "Media Education's New Code." AfterImage: Journal of Media Arts and Criticism. Vol.34, #6. 5/2007.
Hopper, Justin. "State of the Art: Local engineers and artists are using Pittsburgh's high-tech expertise to make a statement." Pittsburgh City Paper, 2/21/2007, p.18.
Machosky, Michael. "Getting your geek on." Pittsburgh Tribune-Review, 1/25/2007.
"Picture House: Film, Art and Design." ArtDaily.org, 5/5/2007.
Manovich, Lev. "Abstraction and Complexity". in Grau, Oliver (Ed.), MediaArtHistories. MIT Press, 1/2007. ISBN: 978-0262072793.
Nemerov, Alexandra. "Within, Without: New Media and the White Cube." College Undergraduate Research Electronic Journal (CUREJ), 2007.
Ponzini, Monica. "Source Code." Redazione Digicult Digimag 26, (Italian), 7/2007.
Reas, Casey and Fry, Ben. Processing: A Programming Handbook for Visual Designers and Artists. MIT Press, 9/2007. ISBN: 978-026218262.
Romero, Juan and Penousal Machado (Eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, p. 439. Springer, 12/2007. ISBN: 978-3540728764.
Somajni, Chiara. 'Vedere L'Invisible', Ventiquattro (Italian Weekly Magazine), pp. 151-156, 10/20/2007. (Italian)
"Source Code: Programming Eyebeam Style". ArtCal, 5/30/2007.
Stapelkamp, Torsen. Screen- und Interfacedesign: Gestaltung und Usability für Hard- und Software. Springer, 1/2007. ISBN: 978-3540329497.
Vesna, Victoria (ed.) Database Aesthetics: Art in the Age of Information Overflow. p.106. University Of Minnesota Press, 9/2007. ISBN: 978-0816641185.
2006
Altena, Arie & Lucas van der Velden (Editors). The Anthology of Computer Art. Sonic Acts Paradiso, Amsterdam, 2/2006.
Blaine, Tina. "New music for the masses". Adobe Think Tank, 6/2006.
Blais, Joline and Ippolito, Jon. At the Edge of Art. Thames & Hudson, 2006.
Blakely, Rhys. "Valentine Blues". Times Online UK, 2/17/2006.
Bosco, Roberta. "El Whitney y la Tate producen conjuntamente tres proyectos." El Pais, Ciberp@is p. 8 (Spanish), 3/2/2006.
Bullivant, Lucy. Responsive Environments : architecture, art and design. V&A Contemporaries Publications. 2006.
D-Fuse. Audio-Visual Art and VJ Culture. Laurence King, 11/2006. ISBN: 978-1856694902.
Goggin, Gerard. Cell Phone Culture: Mobile Technology in Everyday Life. Routledge, 10/2006. ISBN: 978-0415367448.
Gruentuch, Armand and Ernst, Almut. Convertible City/Archplus: German Pavillion Venice Biennale 2006. Archplus, 12/2006. ISBN: 978-3931435097.
Havens, Henk et al. Theater & Technologie. Toneelacademie Maastricht / Theater Instituut Nederland, 2006. ISBN: 90-70892-82-0.
Huhtamo, Erkki. "Trouble at the Interface 2.0: On the Identity Crisis of Interactive Art." Understanding the New Dynamic of Art, Technology and the Mind (Invitational Symposium Readings), Cleveland, Ohio, 2006.
Lehrman, Paul D. "Tomorrow's Musicians and What They'll Be Playing: Controllers of the Future". Sound on Sound Magazine, 1/2006.
Lodi, Simona. "Le opere sinestetiche di Golan Levin." Teknemedia.net (Italian), 11/30/2006.
Mancuso, Mario. "Tmema, Realta' Ampliata e Gesti Interattivi." Redazione Digicult Digimag 11, (Italian), 2/2006.
Manovich, Lev."Social Data Browsing." Tate Online, 2/14/2006.
McClelland, Eileen. "It's not a traffic jam session." Houston Chronicle, 4/4/2006.
Niessen, Bertram. "Partiture: Golan Levin, 2005-2006." LuxFlux #22, 2006.
Quaranta, Domenico. "The Dumpster, Amore Amaro ai Tempi di Internet." Redazione Digicult Digimag 12, (Italian), 3/2006.
Rubin, Dan. "Blinq: The Dumped." The Philadelphia Inquirer, 2/16/2006.
"The Dumpster: i pattern delle tragedie d'amore." Teknemedia.net (Italian), 2/22/2006.
Sarai Media Lab. Shaping Technologies: Sarai Reader #3, p.217. Autonomedia, 12/2006. ISBN: 978-8190142939.
Tribe, Mark and Reena Jana. New Media Art. Taschen Verlag Basic Art Series. 4/2006. ISBN: 3-8228-3041-0.
Wands, Bruce. Art of the Digital Age. Thames & Hudson, 2006.
Weibel, Peter, and Gregor Jansen (eds.). Light Art from Artificial Light: Light as a Medium in 20th and 21st Century Art. Exhibition Catalogue, ZKM. Hatje Cantz, 2006. ISBN: 3-7757-1774-9.
Young, Paul. "Seeing voices: Tmema's computer technology enables them to visualize the full spectrum of the human voice." Surface, Issue 59, p. 119-120. 5/2006.
X-Cup Magazine, #6. "Golan Levin & Zach Lieberman". 12/2006, p. 69. ISSN: 1819-4494.
2005
"Jerwood Gallery Space Presents Cut and Splice." ArtDaily.com, 5/13/2005.
"New Media: What Examines Sound-based Art." Art Museum Network News, 3/15/2005.
"New Media: What at Neuberger Museum of Art." ArtDaily.com, 3/17/2005.
“Cut and Splice 2005: Messa di Voce.” BBC.co.uk, 5/25/2005.
Bersten, Rosanne. "ProFile: Exercising the ghost in the machine: Golan Levin and DJ Spooky." The DUES, Issue 5, Volume 1, 2/2005.
Boxer, Sarah. "Web Works That Insist on Your Full Attention." New York Times, 6/28/2005.
Buurman, Gerhard M. Total Interaction: Theory and Practice of a New Paradigm for the Design Disciplines. Birkhäuser Basel, 4/2005. ISBN: 978-3764370763.
Caillebot, Loic. Art numérique et fleurs de méninges. Ouest-France, 6/1/2005.
Cameron, Andy. "Dinner with Myron Or: Rereading Artificial Reality 2: Reflections on Interface and Art". In aRt&D: Research and Development in Art, ed. Joke Brouwer et al. V2_NAi Publishers, 2005. ISBN: 90-5662-423-7.
Chun, Wendy H.K. and Keenan, Thomas W. (eds.) New Media, Old Media: A History and Theory Reader. Routledge, 11/2005. ISBN: 978-0415942249.
Duckworth, William. Virtual Music: How the Web Got Wired for Sound. Routledge, 2005. ISBN: 0415966752.
Fischnaller, Franz. E-Art: Art/Net/Society. Rome: Editori Riuniti, 2005.
Greben, Deirdre Stein. "Cool 2 Know: Interactive Art". New York Newsday, 11/1/2005.
Hauser, Jens. "Listening between the Lines: Jaap Blonk & Golan Levin". Arte Germany, 9/2005.
Kaimakamis, Nikos. "Face to Face: Golan Levin". Mobile Magazine (Greece), 12/2005.
Marriott, Michel. "Only The Frame Is Familiar." New York Times, 10/6/2005.
Motumiya, Yasuharu. "DAF Tokyo 2005 Review". Shift #110, 12/2005.
Petersen, Andrea. "Art for When There's Nothing on TV." The Wall Street Journal, 2/16/2005.
Rosero, Jessica. "Sur le Fil: A fusion of creativity". West New York Reporter, 10/23/2005.
Ryzik, Melena. "The Nokia Fugue in G Major." New York Times, 7/11/2005.
Steinforth, Jan Mathias. "Musikvideo abseits des Mainstreams." Digital Production Ausgabe 05:05, 9/2005, p.42.
Sumitomo, Fumihiko (Ed.). Art meets Media: Adventures in Perception. NTT InterCommunication Center, Tokyo, 2005. ISBN: 4:-7571-7027-0.
Taiuti, Lorenzo. Multimedia: L’incrocio dei linguaggi comunicativi. Meltemi Editore, 2005 (Italian). ISBN: 88-8353-366-6.
Traub, Peter. "Sounding the Net: Recent Sonic Works for the Internet and Computer Networks." Contemporary Music Review, Summer 2005.
Vanderbilt, Tom. "The King of Digital Art." Wired, 9/2005, p.140.
Whitelaw, Michael. "System Stories and Model Worlds: A Critical Approach to Generative Art." Readme #100, 12/2005.
2004
Austin, Jane. The Graphics Book. Rotovision, 3/2004. ISBN: 978-2880467906
Behrendt, Frauke. Handymusik: Klangkunst und 'Mobile Devices'. Epos Music Series, Electronic Publishing Osnabrück, 2004. ISBN: 3-923486-03-0.
Bosco, Roberta, and Caldana, S. "La bienal del Whitney regresa a una órbita menos experimenta". El Pais, Ciberp@is p. 10, 4/15/2004.
Broeckmann, Andreas. "Runtime Art: Software, Art, Aesthetics." Runtime ART, 6/2004.
Delio, Michelle. Don't Just Look, Play With It. Wired News, 5/24/2004.
Cameron, Andy. IdN Special 04: The Art of Experimental Interaction Design. IdN Publishing, Hong Kong. 6/2004.
Fressola, Michael. "The unbelievably good Biennial." Staten Island Sunday Advance, p.E1, 3/21/2004.
Fressola, Michael. "Cyber artist Levin goes live at Kitchen." Staten Island Advance, 4/30/2004.
Fressola, Michael. "Boys will be girls, or directors." Staten Island Advance, 5/9/2004.
Goldsmith, Kenneth. "Bring da Noise: A Brief Survey of Sound Art." New Music Box, 3/1/2004.
Greene, Rachel. Internet Art. Thames and Hudson, 6/2004.
Let there be light. Taipei Times, Taiwan, 5/22/2004.
Levy, Ellen K. "Synthetic Lightning: Complex Simulations of Nature." Photography Quarterly, Center for Photography at Woodstock, #88, 2004, p.4.
Maeda, John. Creative Code: Aesthetics Computation. Thames & Hudson, 2004.
Pfaffenbichler, Norbert and Sandro Droschl. Abstraction Now. Edition Camera Austria, 2004.
Rivoire, Annick. "Le tableau animé de Golan Levin." La Libération, 9/6/2004.
Savage, Neil. "TR100: 100 Top Innovators Under 35." Technology Review, p.54, 10/2004.
Souza e Silva, Adriana. "Art by Telephone: From Static to Mobile Interfaces." Leonardo Electronic Almanac v.12, no.10., 10/2004.
Tan, Tori. Golan Levin: Interview. XFUNS 13. IdN Publishing, Hong Kong. 7/2004.
Trogemann, Georg. "Müssen Medienkünstler programmieren können?" Netzspannung.org, 12/2004.
Vanderlans, Ruby. Emigre 66. Princeton Architectural Press, 6/2004. ISBN: 978-1568984377.
Ward, Ed. "Ars Electronica Asks What Will Be Next." New York Times, 9/8/2004.
Willhardt, Rahel. "Berlins Grand Bleu wirft Worte in die Wolken." Frankfurter Rundschau, 3/6/2004.
"Young scientist and innovators." Pittsburgh Post-Gazette, 9/27/2004.
Zanni, Carlo. Interview: Golan Levin. Magazine Electronique du Centre International d'Art Contemporain de Montréal, No. 19, Summer 2004.
2003
"A Logiciel Ouvert: En Autriche, Ars Electronica, baromètre annuel du numérique, marque un retour aux sources." La Libération, p.31. Paris, 9/11/2003.
Austin, Jane. Graphic Originals. Rotovision, 2/2003. ISBN: 978-2880467067.
Behrendt, Frauke. "Mobile Art auf der Ars Electronica." Glizz.net, 10/2003.
Bersten, Rosanne. "Singing a stream of floating images." AustralianIT, 10/28/2003.
Bliss, Abi. "Ultrasound." Leeds Guide, 11/19/2003.
Casella, Michele. "Dialtones." Neural.it, 2/6/2003.
Christov-Bagarkiev, Carolyn. Animations. Kunst-Werke. Berlin. 2003.
Feilmayr, Ingrid. "Faszinierende 'Zaubereien' mit Stimme und Technik." Neues Volksblatt, Vienna, 9/9/2003.
Fiell, Charlotte and Fiell, Peter. Graphic Design for the 21st Century: 100 of the World's Best Graphic Designers. Taschen Books, 1/2003. ISBN: 3822816051.
Garulli, Lavinia. "Ultrasound." FlashArt News, Fall 2003.
Gerlach, Julia. "Handlungsspielräume. Der aktive Hörer in Klangkunst und Internet." Neue Zeitschrift für Musik, 1/2003.
Hoffman, Leslie. "Art Review: When visitors play, this exhibit comes to life." Pittsburgh Post-Gazette, 12/11/2003.
Judmayer, Irene. "Magere Stimm-Bilder: Blonk/La Barbara im Brucknerhaus." OÖ Nachrichten, Graz, 9/9/2003.
Lim, Eunhye. "Interview: Golan Levin". Digitall, 1/2003 (Korean).
Harpers' Index, Harpers Magazine, 5/2003.
Noonan, Mickey. "Q&A with Golan Levin: Messa di Voce." Huddersfield Metro, 28 November 2003, p. 18.
Paul, Christiane. Digital Art (World of Art). Thames and Hudson, 7/2003. ISBN: 0500203679.
"Performance: Die StimmkuenstlerInnen Jaap Blonk und Joan LaBarbara im Brucknerhaus", Linz, 9/9/2003.
Richards, Kate. "Ars Electronica: Interface Futures." Realtime Arts #58, 9/2003.
Scanlon, Jessie. "If Walls Could Talk, Streets Might Join In." New York Times, 9/18/2003.
Shachtman, Noah. "Digging Down Deep for Graffiti." Wired News, 12/2003.
Somajni, Chiara. "Dipingere con la voce." Il Sole 24 Ore. 9/14/2003.
Turco, Marina. "Tutti nella rete digitale." Il Manifesto. 9/13/2003.
Walbaum, John T. The Know-It-All's Guide to Life. Career Press, 3/2003. ISBN: 978-1564146731
Winn, Alice. "Touch Me: Patrons must be more than observers in Wood Street projects." Pittsburgh Pulp, 12/25/2003.
“Writers’ Picks: Golan Levin.” NY Arts Magazine / Berliner Kunst. p. 49, 11/2003.
2002
Bédat, Thierry. "Première de «Telesymphony»: le chant de 99 téléphones portables peut être mélodieux". La Liberté, 6/1/2002.
Bosco, Roberta. "El festival Sónar rinde tributo a las figuras mas brilliantes del arte audiovisual contemporaneo." El Pais, Ciberp@is p.9, 6/13/2002.
Boseul, Shin. "Scribble". Wolgan Misul (The Korean Art Journal), 7/2002.
Bröhm, Alexandra. "Ich wollte mich selbst verblüffen". Sonntags Zeitung, 6/2/2002.
"Cellphone Symphony!" Connection Points (Aculab Quarterly), 13, Fall 2002.
di Santo, Richard. "Dialtones: A Telesymphony." Incursion Music Review, 60, 10/14/2002.
"Golan Levin: Floo, Ribble, Stria." in Dinamicas Fluidas: 1 Festival Internacional de Arte, Ciencia y Tecnologia. Centro Cultural Conde Duque, Madrid, Spain, 4/2002.
Goldman, Jeff. "The Art of the Mobile Phone". The Feature, 1/3/2002.
Goldsmith, Kenneth. "Dialtones: A Telesymphony". New York Press, Vol 15, Issue 49, 12/5/2002.
Griscomb, Amanda and Chen, Irwin. "Design Issues: The Code Creators". eDesign, p.26, 5/2002.
Horecki, Marcin. "Sztuka w komórce, komórka w sztuce". Telix.pl, 10/06/2002 (Polish).
"Interactive Design Review 2002". ID Magazine, 11/2002.
"Interview: Golan Levin". Design Net, vol.61, p.54. Seoul, Korea. 10/2002.
Herzog, Bernhard. "Symphony für 100 Handys". Technica, 7/2002.
LiCalzi O'Connell, Pamela. "Online Diary: Numbers Game". The New York Times, 2/28/2002, p.G3.
Kornberger, Ruth. "Ein Konzert für 200 Handys." Geolino, Germany. 12/2002.
Melcer, Anne. "Abstraction Alphabétique". Étapes:80, p.12. Pyramid, Paris, 1/2002.
Melcer, Anne. "Numer: Design Interactif et Humaines Conditions", Étapes:85, p.62. Pyramid, Paris, 6/2002.
Melin, Jan. "Första mobilsymphonin: Störande ringsignaler förvandlas till musik vid bejublad konsert". NyTeknik, Sweden. 10/16/2002.
Michieletto, Roberto. "Dialtones." Musicclub: Kaos. 12/2002.
"Morat: symphonie de natels sur l'AMJ". SDA [Swiss Press Agency], 5/28/2002.
"New Visual Artists Review: 20 Under 30." Print, March/April 2002.
"Orchestre de cent portables". 24Heures, 5/29/2002.
Rinder, Lawrence. "Eye, Body, Mind: New Approaches to Art and Technology." in Special Effects: Daejon-New York Media Art. Daejon Municipal Museum of Art, Daejon, Korea, 2002.
Sawatzki, Frank. "Dialtones (A Telesymphony): Interview with Scott Gibbons and Golan Levin." Receiver, October 2002.
Schreier, Paul G. "An Orchestra of Ring Tones". ChipCenter, 7/2/2002.
Swanson, Sandra. "Celling Out: Serious Musicians are Using Cell Phones as Instruments". Information Week, 4/24/2002.
Tilley, Emma. "Golan Levin talks aliens, art and nanotechnology". Zoo Wire, 6/2002.
"Une symphonie en natels majeurs". L'Express, p.3., 5/29/2002.
Urselli-Schärer, Marc. "Dialtones: A Telesymphony." ChainDLK, 11/7/2002.
2001
Adams, Noah. "All Things Considered" Interview. National Public Radio, 8/27/2001. RealAudio.
Batista, Elisa. "Did This Musician 'Cell' Out?" Wired News, 8/2001.
Bezreh, Tanya, "Telephone Man". Artbyte, 9/2001.
Bhesania, Edward. "Mobile phones make symphonic debut". BBC Music Magazine, 9/2001.
Bosco, Roberta. "El festival Ars Electronica de Linz se interroga sobre el futuro del arte y su relación con la red". El Pais, Ciberp@is, 8/30/2001.
Brock, Chris. Bacterial Developments at Singlecell" in New Media Creative, 7/2001.
Broeckmann, Andreas, et al. "Is software art a genuine artistic material?" Transmediale.01 Festival, 2/2001.
Dayen, David and Joanna Lux, "Cellphone Symphony: In composer's hands, annoying ringtones have musical potential." Interview, TechTV, 11/15/2001.
Design Focus Media: Students Work of John Maeda. Ed. Laetitia Wolff and Wang Xu. China Youth Press, Hong Kong, 2001, pp. 36-63.
Goldsmith, Kenneth. "Urm...with special guest composer Golan Levin." WFMU Radio broadcast, 11/13/2001.
Hillman, Jan-Rikus. Interview in 72-DPI: Anime. Die Gestalten Verlag, Berlin, 2001. ISBN 3-931126-72-2.
Hillman, Jan-Rikus. "Fünf Minuten Aufmerksamkeit: Golan Levin." DE:BUG 56, 9/2001.
"Il primo concerto con le suonerie dei telefonini". Corriere Della Sera, 8/21/2001.
Jesdanun, Anick. "Digital Art Gaining Acceptance". Associated Press, 12/10/2001.
Maeda, John. Maeda @ Media. Rizzoli, 2001.
"Making art as well as noise". St. Petersburg Times, 8/27/01.
Mirapaul, Matthew. "Composer Plans to Strike Up the Cell Phones". The New York Times, 8/16/2001.
"Music To His Ears". Bangkok Post, 8/21/2001.
"Musica Maestro! Golan Levin Dirige un'orchestra di 200 Telefonini". TgCom, 8/21/2001.
"Pick of the Month: www.singlecell.org" in Creative Review, 4/2001.
Punjabi, Mala. "Getting in tune with your mobile phone", AsiaWeek, 8/31/2001.
Sakane, Itsuo. The Interaction ‘01, Dialogue with Expanded Images. IAMAS, Ogaki. 2001.
Sheridan, Molly. "Composer Calling: Cell Phone Symphony Premieres". New Music Box, 10/2001.
Simon, John F. "Hotlist," in ArtForum, 2/2001.
Stocker, Gerfried et al. "Why Singlecell?" in Takeover: Ars Electronica 2001 Festival Catalogue, p.386. Springer 9/2001.
2000
MIT Aesthetics and Computation Group, "The Introspection Machine". Electronic Art and Animation Catalog, Proceedings of SIGGRAPH, August 2000.
"Catalog of the Eighth Annual New York Digital Salon", p.407, in Leonardo, Vol. 33, No.5, 2000.
Coleman, B. "Cool Schools" in Artbyte, Summer 2000.
Flash Art (Italian Edition), p.66, 12/2000.
"Interactive Design Review 2000". ID Magazine, 6/2000.
Maeda, John. "Education and Commercialization: Who are Tomorrow's Digital Designers?" In Websights: The Future of Business and Design on the Internet, ed. Katherine Nelson. RC Publications, New York, 2000, pp.94-95.
to 2000
"Interval hatches first 3 spinoffs". San Jose Mercury News, 11/13/1996.
Russel, Charles S. "Eareviews", Ear Magazine. 6/1989.
Levi, Titus. "Discoveries", Keyboard. 2/1989.
Lorber, Abby. "Artist of the Issue: Golan Levin", Stuyvesant Spectator, 12/1/1988.